University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
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Date
ca. 1933-1934 (42)
1932 (8)
1933 (6)
1934 (2)
ca. 1933 (1)

Subject
Exhibition Buildings (38)
Pavilions (17)
Architecture (17)
Fascism (17)
Auditoriums (12)
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Creator
Kaufmann & Fabry co. (28)

Format
9.25x12 (17)
7.5x9.5 (11)
9.5x7.5 (10)
7.25x9.5 (5)
2.75x2 (4)
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results 21-40 of 59 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
21. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the land reclamation exhibit located in the north wing of the Pavilion.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
22. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the stairway leading up to the Pavilion's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
23. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
24. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
25. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is one of the stairways leading up to the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
26. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
27. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
28. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Pictured here is a model of the Italian Ocean liner S.S. Rex. The Rex was launched in 1931 and operated until allied bombers destroyed the ship in 1944.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
29. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Via del Mare on display in the Pavilion's auditorium room.]
[Louise Lentz Woodruff standing next to the sculpture she designed for the Fountain of Science, located
30. [Louise Lentz Woodruff standing next to the sculpture she designed for the Fountain of Science, located in front of the main entrance to the Hall of Science. The sculpture, known as Science Advancing Mankind, depicts 'Science' as a benign robot bending forward to nudge a male and female figure, i.e. 'humanity,' toward a brighter future. Woodruff's husband served as treasurer for the Century of Progress board of trustees in 1933.]
[Louise Lentz Woodruff standing next to the sculpture she designed for the Fountain of Science, located
31. [Louise Lentz Woodruff standing next to the sculpture she designed for the Fountain of Science, located in front of the main entrance to the Hall of Science. The sculpture, known as Science Advancing Mankind, depicts 'Science' as a benign robot bending forward to nudge a male and female figure, i.e. 'humanity,' toward a brighter future. Woodruff's husband served as treasurer for the Century of Progress board of trustees in 1933.]
[Lower level view of the front facade to the Hall of Science.]
32. [Lower level view of the front facade to the Hall of Science.]

[Man posing in front of replica of a log cabin.]
33. [Man posing in front of replica of a log cabin.]
[One of the main entrances to the Century of Progress "Oriental Village." The facade of the exhibit featured
34. [One of the main entrances to the Century of Progress "Oriental Village." The facade of the exhibit featured Islamic art and architecture.] [There are four towers that look like they are part of a church. There are a lot of people that look like they just left the church in front of the towers.]
[Parade in front of the Czechoslovakia pavilion at the Century of Progress International Exposition,
35. [Parade in front of the Czechoslovakia pavilion at the Century of Progress International Exposition, 1933-1934. The Century of Progress showcased the artistic, cultural, and scientific achievements of Czechoslovakia, then a newly independent country that had won its independence from the Austro-Hungarian Empire at the end of World War One. Anton Cermak, mayor of Chicago from 1931 until his assassination in 1933, just a few months prior to the Century of Progress grand opening, was a Czech immigrant from Bohemia.]
[Photo of a team of oxen breaking ground in front of the Adler Planetarium.]
36. [Photo of a team of oxen breaking ground in front of the Adler Planetarium.]

[Photo of the Roosevelt High School choir in front of the Hall of Science building.]
37. [Photo of the Roosevelt High School choir in front of the Hall of Science building.]
[Rufus C. Dawes (right), president of the Century of Progress, in front of the Chicago, St. Paul & Milwaukee
38. [Rufus C. Dawes (right), president of the Century of Progress, in front of the Chicago, St. Paul & Milwaukee locomotive.]
[Singer Laura T. Martin posing in front of the Century of Progress Avenue of Flags.]
39. [Singer Laura T. Martin posing in front of the Century of Progress Avenue of Flags.]
[Southeast view of the front courtyard of the Electrical Group building before the grand opening of the
40. [Southeast view of the front courtyard of the Electrical Group building before the grand opening of the Chicago World's Fair, 1932. Both "Stellar Energy" (left) and "Atomic Energy" (right) by sculptor Ulric Henry Ellerhusen can be seen flanking the building's main entrance in the center.]
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results 21-40 of 59 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next