University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
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Subject
Exhibition Buildings (38)
Exhibitions (26)
Fascism (17)
Pavilions (17)
Architecture (17)
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Date
ca. 1933-1934 (25)
1933 (15)
ca. 1930 (1)
1932 (1)
1934 (1)

Format
9.25x12 (17)
7.5x9.5 (9)
9.5x7.5 (7)
2.75x2 (1)
4.25x2.5 (1)
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Creator
Kaufmann & Fabry co. (6)
Museum of Science and ... (1)

results 21-40 of 43 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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[Exterior view of the sculpture "Stellar Energy," which adorns the southeast facade of the Electrical
21. [Exterior view of the sculpture "Stellar Energy," which adorns the southeast facade of the Electrical Group building. The caption beneath the figure reads: "Light is the beginning of all things, from the utmost aether it issues shaping the stars answering in its patterns to the majesty of creative thought." The sculptor for this design was Ulric Henry Ellerhusen.]
[In this design by Wilbur Freece, known as "6 in Hand," the wagon is made of wood, the harness from leather,
22. [In this design by Wilbur Freece, known as "6 in Hand," the wagon is made of wood, the harness from leather, and the horses from plaster.]
[Interior photo of the Great Hall inside the Hall of Science building. Note the interior architecture,
23. [Interior photo of the Great Hall inside the Hall of Science building. Note the interior architecture, with the minimalist design and ornamentation.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
24. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is a general view of the Pavilion's auditorium.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
25. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the speaker's rostrum in the building's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
26. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the transparent photographs of Mussolini's forum in Rome on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
27. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Coliseum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
28. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the land reclamation exhibit located in the north wing of the Pavilion.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
29. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the stairway leading up to the Pavilion's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
30. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
31. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
32. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is one of the stairways leading up to the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
33. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
34. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
35. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Pictured here is a model of the Italian Ocean liner S.S. Rex. The Rex was launched in 1931 and operated until allied bombers destroyed the ship in 1944.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
36. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Via del Mare on display in the Pavilion's auditorium room.]

[Photo of an architectural drawing of Frank Buck's Animal Show exhibit at A Century of Progress International
37. [Photo of an architectural drawing of Frank Buck's Animal Show exhibit at A Century of Progress International Exhibit. The architectural firm that produced the drawing was Loebl, Schlossman & Demuth, a Chicago-based business that went on to design the Water Tower Place (1976) and the Prudential Plaza (1990).]
[Photo of an architectural drawing of the Century of Progress Hawaiian Gardens exhibit, which featured
38. [Photo of an architectural drawing of the Century of Progress Hawaiian Gardens exhibit, which featured a model of Mt. Kilallua volcano The architectural firm that produced the drawing was Loebl, Schlossman & Demuth, a Chicago-based business that went on to design the Water Tower Place (1976) and the Prudential Plaza (1990).]
[The central stairway to the Century of Progress Federal Building on Northerly Island. The Federal Building
39. [The central stairway to the Century of Progress Federal Building on Northerly Island. The Federal Building featured an art-deco design that included a rotunda and three tower-pylons representing the executive, judicial, and legislative branches of the U.S. government.]
[The logo design for the 1934 Century of Progress International Exposition.]
40. [The logo design for the 1934 Century of Progress International Exposition.]
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results 21-40 of 43 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next