University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
  Skip to content  collection home browse advanced search preferences my favorites help   
 
Search results for Room > Exhibition Buildings   
Refine your search
Date
ca. 1933-1934 (11)

Format
9.25x12 (8)
7.25x9.25 (2)
9.5x7.5 (1)

Creator
Kaufmann & Fabry co. (2)

results 1-11 of 11 item(s)  page 1 of 1 : ( <<  1  >> ) :: previous : next
select all : clear all : add to favorites
[An interior view of the reception room inside the Federal Building exhibit on Northerly Island.]
1. [An interior view of the reception room inside the Federal Building exhibit on Northerly Island.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
2. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the transparent photographs of Mussolini's forum in Rome on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
3. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Coliseum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
4. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
5. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
6. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is one of the stairways leading up to the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
7. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
8. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
9. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Via del Mare on display in the Pavilion's auditorium room.]
[The General Motors exhibit at A Century of Progress. The main exhibit featured a display of automotive
10. [The General Motors exhibit at A Century of Progress. The main exhibit featured a display of automotive parts and an assembly room where 1,000 people at a time can watch an automobile being manufactured.]
"A talking kitchen which explains itself, a working kitchen where meals are prepared, and between them
11. "A talking kitchen which explains itself, a working kitchen where meals are prepared, and between them a planning room where modern electric kitchens are designed represent the General Electric Kitchen Institute in the company's exhibit at A Century of Progress."
 

select all : clear all : add to favorites
results 1-11 of 11 item(s)  page 1 of 1 : ( <<  1  >> ) :: previous : next