University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
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Subject
Exhibition Buildings (25)
Exhibitions (14)
Architecture (13)
Fascism (13)
Pavilions (13)
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Format
9.25x12 (13)
2.75x2 (6)
9.5x7.5 (2)
5.75x8.75 (1)
6.75x9.5 (1)
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Creator
Kaufmann & Fabry co. (7)
Museum of Science and ... (2)

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[An interior view of the reception room inside the Federal Building exhibit on Northerly Island.]
1. [An interior view of the reception room inside the Federal Building exhibit on Northerly Island.]
[Interior photo of the Great Hall inside the Hall of Science building. Note the interior architecture,
2. [Interior photo of the Great Hall inside the Hall of Science building. Note the interior architecture, with the minimalist design and ornamentation.]
[Interior view of an unidentified laboratory.]
3. [Interior view of an unidentified laboratory.]
[Interior view of the Agricultural Building under construction in preparation for A Century of Progress.
4. [Interior view of the Agricultural Building under construction in preparation for A Century of Progress. The man in the photo is sawing blocks of wood.]

[Interior view of the Century of Progress Administration Building.]
5. [Interior view of the Century of Progress Administration Building.]
[Interior view of the Century of Progress Horticulture building. The photo is undated.]
6. [Interior view of the Century of Progress Horticulture building. The photo is undated.]
[Interior view of the Chinese Lama Temple at the Century of Progress.]
7. [Interior view of the Chinese Lama Temple at the Century of Progress.]
[Interior view of the Chinese Lama Temple.]
8. [Interior view of the Chinese Lama Temple.]

[Interior view of the Great Hall inside the Hall of Science.]
9. [Interior view of the Great Hall inside the Hall of Science.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
10. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is a general view of the Pavilion's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
11. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the speaker's rostrum in the building's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
12. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the transparent photographs of Mussolini's forum in Rome on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
13. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Coliseum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
14. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the land reclamation exhibit located in the north wing of the Pavilion.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
15. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the stairway leading up to the Pavilion's auditorium.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
16. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
17. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
18. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is one of the stairways leading up to the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
19. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
20. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]
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