University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
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Date
ca. 1933-1934 (19)
1933 (6)
1934 (2)
1932 (1)

Creator
Kaufmann & Fabry co. (15)
Library of the Museum ... (1)

Format
9.25x12 (8)
7.5x9.5 (6)
7.25x9.5 (2)
9.5x7.25 (2)
10.5x6.5 (1)
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[A view of the Century of Progress Court of States exhibition under construction in 1933. Here workers
1. [A view of the Century of Progress Court of States exhibition under construction in 1933. Here workers can be seen constructing the exhibit's central arch.]
[A view of the speaker's rostrum from above, located along the eastern facade of the Hall of Science.
2. [A view of the speaker's rostrum from above, located along the eastern facade of the Hall of Science. The photo was taken while the building was under construction in January of 1932.]
[Exterior view of the General Exhibits building at A Century of Progress a few months before the grand
3. [Exterior view of the General Exhibits building at A Century of Progress a few months before the grand opening of the Fair. This photo shows a close-up of the exhibit's pavilions.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
4. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the transparent photographs of Mussolini's forum in Rome on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
5. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Coliseum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
6. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the land reclamation exhibit located in the north wing of the Pavilion.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
7. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
8. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
9. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
10. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
11. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Via del Mare on display in the Pavilion's auditorium room.]
[Interior view of the Westinghouse exhibit inside the Electrical Group building exhibition at the Chicago
12. [Interior view of the Westinghouse exhibit inside the Electrical Group building exhibition at the Chicago World's Fair. The photo was taken in March of 1933 while the exhibition was still under construction.]

[The trustee's lounge at the Hall of Science building.]
13. [The trustee's lounge at the Hall of Science building.]
[View of the grand stairway inside the Electrical Group building exhibition at the Chicago World's Fair.
14. [View of the grand stairway inside the Electrical Group building exhibition at the Chicago World's Fair. The photo was taken in March of 1933 while the building was being prepared for the grand opening in May.]
[View of the grand stairway inside the Electrical Group building exhibition at the Chicago World's Fair.
15. [View of the grand stairway inside the Electrical Group building exhibition at the Chicago World's Fair. The photo was taken in March of 1933 while the building was being prepared for the grand opening in May.]
"A conception by Hugh Ferriss, a noted New York artist, of how the Ford Exhibition building now being
16. "A conception by Hugh Ferriss, a noted New York artist, of how the Ford Exhibition building now being erected at the Chicago World's Fair will look at night in its blaze of light. The building is nine hundred feet long and ten stories in height at its center. It faces upon a five acre park fronting Lake Michigan. Albert Kahn of Detroit is the architect, and Walter Dorwin Teague of New York, the industrial designer, is in charge of the interior display."

"Bait casting as it should be done is shown by Chief Coller, world's champion trick caster in the pool
17. "Bait casting as it should be done is shown by Chief Coller, world's champion trick caster in the pool fronting the Travel and Transport building at the World's Fair. Tree Abbot dancers, Dorothy Carlson, Dolores Smith and Mildred Koplin, together with Mrs. Coller, proved eager pupils, anxious to master the difficult art. The exhibitions are given twice daily as a feature of the Sportsmen's show inside the building."
"Bait casting as it should be done is shown by Chief Coller, world's champion trick caster in the pool
18. "Bait casting as it should be done is shown by Chief Coller, world's champion trick caster in the pool fronting the Travel and Transport building at the World's Fair. Tree Abbot dancers, Dorothy Carlson, Dolores Smith and Mildred Koplin, together with Mrs. Coller, proved eager pupils, anxious to master the difficult art. The exhibitions are given twice daily as a feature of the Sportsmen's show inside the building."
"Edward H. Sniffen, Asst. Vice-President of Westinghouse Electric and Manufacturing Company, signing
19. "Edward H. Sniffen, Asst. Vice-President of Westinghouse Electric and Manufacturing Company, signing contract for renewal of the company's exhibit at the 1934 World's Fair. Shown with Mr. Sniffen are (left) Rufus C. Dawes, President of the Exposition, and Lenox R. Lohr, General Manager. The exhibit will occupy the same space in the Electrical Building as last year, with many new features introduced."
"Electricity at Work in the model show window presents such features as indirect lighting, a revolving
20. "Electricity at Work in the model show window presents such features as indirect lighting, a revolving platform for mannequins and many other innovations at the exhibit of the Electric Light and Power Industry on the second floor of the Electrical Building at the World's Fair."
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results 1-20 of 28 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next