University of Illinois at Chicago Century of Progress World's Fair, 1933-1934 (University of Illinois at Chicago)
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Kaufmann & Fabry co. (16)
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2.75x2 (9)
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[A Chinese garden inside the Century of Progress Horticulture building. The photo is undated.]
1. [A Chinese garden inside the Century of Progress Horticulture building. The photo is undated.]
[Color illustration of the front exterior to the Century of Progress Travel and Transport Building.]
2. [Color illustration of the front exterior to the Century of Progress Travel and Transport Building.]
[Construction of the General Exhibits Building in preparation for the Century of Progress International
3. [Construction of the General Exhibits Building in preparation for the Century of Progress International Exposition, 1933-1934.]
[Exterior view of the Century of Progress Horticultural Building from across the south lagoon.]
4. [Exterior view of the Century of Progress Horticultural Building from across the south lagoon.]

[Exterior view of the Federal Building on Northerly Island adjacent to the Court of States exhibit. The
5. [Exterior view of the Federal Building on Northerly Island adjacent to the Court of States exhibit. The Federal Building featured an art-deco design that included a rotunda and three tower-pylons representing the executive, judicial, and legislative branches of the U.S. government.]
[Exterior view of the Hall of Science building from the northwest.]
6. [Exterior view of the Hall of Science building from the northwest.]
[Exterior view of the Hall of Science building from the northwest.]
7. [Exterior view of the Hall of Science building from the northwest.]
[Exterior view of the northern facade of the Hall of Science building.]
8. [Exterior view of the northern facade of the Hall of Science building.]

[Exterior view of the Travel and Transport Building at the Century of Progress.]
9. [Exterior view of the Travel and Transport Building at the Century of Progress.]
[Exterior view of the Travel and Transport Building at the Century of Progress.]
10. [Exterior view of the Travel and Transport Building at the Century of Progress.]
[Exterior view of the Travel and Transport Building under construction in preparation for the Century
11. [Exterior view of the Travel and Transport Building under construction in preparation for the Century of Progress.]
[Interior view of the Century of Progress Horticulture building. The photo is undated.]
12. [Interior view of the Century of Progress Horticulture building. The photo is undated.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
13. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's 1933 transatlantic flight that ended at the Century of Progress. Balbo was an Italian fascist, a leader of the Blackshirts, and one of Benito Mussolini's government officials. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. The photo here shows the transparent photographs of Mussolini's forum in Rome on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
14. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Coliseum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion
15. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion was designed to resemble a giant airplane to celebrate Italo Balbo's transatlantic flight that ended at the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building sported a design that resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the land reclamation exhibit located in the north wing of the Pavilion.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
16. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Capitol on display in the Pavilion's auditorium room.]

[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
17. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Roman Forum on display in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
18. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the Italian State Tourist Information Office located in the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
19. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here is the north side of the Pavilion's auditorium room.]
[Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's
20. [Interior view of the Italian Pavilion at the Century of Progress International Exposition. The Pavilion's giant airplane-shaped design celebrated Italo Balbo's transatlantic flight to the Century of Progress in 1933. Balbo was an Italian fascist, a leader of the Blackshirts, and a minister in Benito Mussolini's government. The front of the building also resembled the bundled fasces, an ancient symbol of the Roman Republic that was adopted by Italian and German fascists in the 20th century. Seen here are the transparent photographs of the Via del Mare on display in the Pavilion's auditorium room.]
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