Dunham Dancers Worth a Return Visit
|Title||Dunham Dancers Worth a Return Visit |
|Creator||Pollak, Robert |
|Description||Praises the entire performance, calls Dunham a genius, and refers to the Chicago premier of her Martiniquan ballet, L'Ag Ya as the "strongest ballet [Dunham] has invented to date". Comments on the precision, spontaneity, and sophistication of various scenes, he reviews the rest of the show in brief, giving critical mention to the performances in the Barrel house and Flaming Youth scenes |
|Collection||SCRC Text (Southern Illinois University Carbondale) |
|Subcollection||Katherine Dunham Papers |
|Original Publication Source||Chicago Times |
|Place Written||Chicago, IL |
|Subjects -titles||Tropical Revue ; L'Ag'ya |
|Subjects -people||Marchant, Claude ; Ohardieno, Roger ; Pratt, John ; Sanders, Robert ; Dunham, Katherine |
|Other topics||Studebaker Theater |
|Collection ID/Box#||FP20_7_F1DUNHAM_B102_F14_01 |
|Rights Statement||For permission to reproduce, distribute, or otherwise use this image, please contact the Special Collections Research Center, Morris Library, Southern Illinois University Carbondale. Phone: + 1 (618) 453-2516. Email: http://reftrack.lib.siu.edu/reft100.aspx?key=SCRCEmail&cllcid=SCRR |
|Transcript||DunKam dancers worth a return visit|
By ROBERT POLLAK
The Studebaker's return engagement of Katherine Dun¬ ham and her great troupe is marked by a Chicago premiere of "L'Ag'Ya, " a colorful dance tragedy from Martinique and the strongest ballet she has invented to date. Using a tale of voodoo magic, the
wonderful rhythms of tlie Begine and a climactic and deadly wrestling match, she has given us a simple, credible scenario and fiUed it with brilliant dance patterns. The ex¬ cellent score is by Robert Sanders, formerly of Chicago.
The soloists are Miss Dunham herself, Claude Marchant and Roge Ohardieno, who is still the best male dancer in the company. He proves it again later on opposite the boss lady in the Barrel House, that slow shimmy from Florida, a sad, tired dance fuU of a weary sophistication.
The company ends its program on a note of satire with "flaming youth 1937, " a bow to the Charleston and the Blues. Costumed in those ridfb- ulous dresses ot the John Held era and culminating in the high voice ot a coon-shonting tavern keeper.
If only for the ballet from Mar¬ tinique the Dunham troupe is worth a return visit. This Negro com¬ pany, headed by a lady of indubi¬ table genius, explores every facet of a vast culture, in general the cos¬ tuming by John Pratt, Miss Dun¬ ham's original choreography and the precision and spontaneity of her gang can't be beat.
CIVIC THEATRE ^"ma^t! sir"! *;
, .. GLASS MENAeERIE
I ¦ • '"HARRIET"
¦10 UTTLE INDIANS"
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|Original Format||review |
|Original dimensions (cm.)||15 x 12 |
|Digital Object Type||Image |
|Digital File Format||.tif |
|Digital File Publisher||Special Collections Research Center, Morris Library, Southern Illinois University Carbondale. |